âFearless (Taylorâs Version)â was released over a month ago to incredible fanfare, immediately breaking records. Though, at this point, itâs fair to point out that Taylor could release an EP of herself covering some of Barney the dinosaurâs hit musical numbers and probably still manage to break at least one or two records. But alas, âFearless (Taylorâs Version)â did extremely well in its first week, (though it understandably dropped off a bit the following week; these are, after all, thirteen year old songs that just about everyone on earth has already heard and probably knows the lyrics to), coming at number one on the Billboard 200 chart and claiming the title of biggest country music album release of the past six years.
My Notes
I wonât go song by song for the entire album since weâve had most of these songs for years, but I will offer a few thoughts on the album as a whole. First off, Taylorâs vocals have really improved and matured a lot. The rerecorded songs sound almost identical to the originals, but they go down smoother. Most people who hear these songs on the radio or in public probably wonât notice a difference, but if you listen for it, you can tell. The song that might be the most noticeably different is âYou Belong With Me,â and itâs still pretty true to the original.
On another note, I was really glad she got Colbie Caillat back for âBreathe,â and I hope the rest of the featured artists will come back for the other albums. Iâm sure Ed Sheeran will reappear for âRedâ and âReputation,â but I do wonder whether artists like Gary Lightbody, Future, and The Civil Wars will come back around.
It was a really novel idea to give fans new songs âfrom the vaultâ that Taylor had from back in the day. Even if they werenât included 13 years ago because they werenât great, sheâs had plenty of time to rethink them and polish them up a bit, and her fans will still eat them up. It was a fun, unique way to get people excited for an album theyâd already heard, and itâs a great example of why her fans are so dedicated and loyal: she really goes out of her way to make them happy.
The Vault, Song by Song:
As usual, Iâve given each song two ratings out of ten, the first rating is how I felt about it after the first time I listened to it, the second is how I feel about it after more listens and some time to process each track. The titles are a little long, but I donât make the rules. If Iâd been through all that shit with the record companies, Iâd probably put my name on every song I own, too.
âYou All Over Me (Taylorâs Version) (From The Vault) [feat. Maren Morris]â: 8/10, 6.5/10
Maren Morris is more or less nonexistent on this track, which is fine by me. It is a good song, but a little bit more grown up than the rest of âFearless.â It definitely sounds like Taylor, I just donât know that it sounds like 2008 Taylor.
âMr. Perfectly Fine (Taylorâs Version) (From The Vault)â: 7.5/10, 8.5/10
âMr. Perfectly Fineâ just fits with the rest of fearless so⊠perfectly. It has that youthful naivety that made Taylorâs first few albums feel so genuine. The bridge is phenomenal. It absolutely shouldâve made the album in 2008. Really the only thing I donât like about it is the very last line.
âWe Were Happy (Taylorâs Version) (From The Vault)â: 3/10, 4/10
A bit bland, honestly. Quite forgettable. I think it tries too hard to be country, talking about buying a farm and whatnot. Probably my least favorite vault song.
âThatâs When (Taylorâs Version) (From The Vault) [feat. Keith Urban]â: 5.5/10, 5.5/10
This one is solid. Keith Urban was a nice touch, though maybe just a little less of him wouldâve been fine. The song is good background listening, but I can see why it was left of the original album; I donât think the lyrics actually make a ton of sense.
âDonât You (Taylorâs Version) (From The Vault)â: 4/10, 5.5/10
The general theme for the vault songs that werenât released before the rest of the rerecorded Fearless album (so not including âYou All Over Meâ and âMr. Perectly Fineâ) is that you can sort of see why they werenât included in 2008. This one fits that theme. Itâs easy listening and itâs good background music, and while the lyrics do sound like something Taylor started writing back in the day, the final version of the song sounds a little too modern to fit with the rest of âFearless.â I donât dislike it, though, and I think it has potential to grow on me.
âBye Bye Baby (Taylorâs Version) (From The Vault)â: 6/10, 4/10
Iâm a little bored with the vault songs by the time I get to âBye Bye Baby.â Again, itâs not bad, it just sort of blends in with the rest of them.
The Bottom Line
This album is absolutely excellent, and the songs from the vault are just icing on the cake. Itâs hard to imagine a more faithfully executed re-recording of the original âFearlessâ than what Taylor has given us in her version. I will have no problem at all listening to these new tracks instead of the old ones, and Iâm glad Taylor chose to make the principled and tedious decision to go through with the re-recordings. I canât wait for the rest.